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Henry Cavill, Michael Shannon and Antje Traue comment on their training while a montage of all sorts of strength/flexibility/cardio/fighting routines plays.

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They also talk about the new direction for Lois Lane, a reintroduction of Emil Hamilton and Pete Ross, expanding the world of Krypton, the Man of Steel comic arc, and how the ecology of Krypton parallels that of Earth.Īll-Out Action (~25 minutes) – Director Zack Snyder and stunt coordinator Damon Caro, plus trainers Mark Twight and Michael Blevins take viewers from the physical training of the actors to execution of massive action sequences. The featurette changes from the canon of Superman to how Man of Steel interprets the character, althought Johns does talk about the story of Superman: Last Son and how it provided some source material for Goyer’s take on Zod, especially the backstory between Zod and Jor-El. The discussion further turns to Cavill taking on the mantle of Superman. Geoff Johns joins to talk about the hero’s origin story, the Death of Superman, the New 52, and Superman’s history on screen. Strong Characters, Legendary Roles (~25 minutes) – The cast and crew comment on the legacy of Superman. If you want a second opinion, be sure to check out Matt's review of the film here. If future DC films are up to the level of Superman's latest entry, then we're in for a lot of fun in the coming years. Overall, Man of Steel is a great start to what could be an epic franchise.

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I was also pretty miffed at Superman's final decision on how to deal with Zod, but in light of the battle that preceded it (and the likely fallout in the coming sequel), I'm a lot more forgiving of it now. Most of the damage is to vacant office buildings (must have been a Sunday) or parked cars. I wasn't a fan of the wanton destruction of Metropolis, but on a second viewing it's not as bad as I originally thought.

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Writing the genetic code of millions of Kryptonians into the cells of one shuttle-launched son is a bit of a head-scratcher, but no less effective than any other MacGuffin. Crowe and Costner turn in warm, heart-felt performances that give the best of both worlds to Cavill's Clark and Superman Shannon's Zod plays the antithesis to the fathers' care and compassion, going to any lengths to protect his people, even if that means obliterating some of them along the way.Īs good as Man of Steel is, it's not perfect.

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It also makes you appreciate Cavill's work even more, as Superman carries the weight of two worlds and civilizations on his shoulders, and isn't free of at least half of that burden until the very end of the film. Superman's struggle to find his place in this alien world while attempting to make both his blood father and his adoptive father proud plays better once you've heard the story once and can really sink your teeth into it during another time around. From the Kryptonians' grueling training regimen, to the stunt team's exhaustive preparation and execution of some truly massive action sequences, to the creative crew's development of Kryptonian culture and technology, Man of Steel is more than just two-hours-and-twenty-three minutes of a superhero slugfest. Upon a second viewing, I've developed a new appreciation for the sheer amount of work that went in to making the film. Goyer took the beloved hero in, even if I had a few issues with the story.

I'll be honest, when I first saw Man of Steel on the big screen, I loved the direction Snyder and screenwriter David S.